There’s a steel guitar solo on Elizabeth Cook‘s new album Aftermath that sounds like no steel guitar you’ve heard before. Snaking and shimmering rather than twangy and weepy, the solo on “Perfect Girls of Pop,” played through a flanger pedal, is more Giorgio Moroder than George Jones. It’s only 30 …
Read More »Elizabeth Cook Is as Country as Cornbread. On Her New Album, She Becomes a Rock Star
